Check out this conversation I had with Nathe Sinfield, the brains behind House of Broken Glass, an artist I previously blogged about.
BT: Who are your major influences as a musician?
HOBG: My major influences have to be Devin Townsend, Coldplay, U2 (Their album ‘Joshua Tree’ never gets boring), Caspian, Explosions in the Sky a a lot more! Out of all them, Devin Townsend inspired me the most to start recording my own music.
BT: How different is the process for writing instrumental tracks from writing tracks with lyrics?
HOBG: Well when I write the instrumental tracks I basically let the melody to the job that the vocalist would do, so when you listen to the track your imagination can write the lyrics in your head. And when I’m writing the songs with vocals in I think I take a more generic approach to the song structure, as well as making the melody a lot more stripped down and simple when the vocals kick in.
I always start writing a song with the intention of it being a track with vocals, drums in etc. But the instrumentals always come out of nowhere. I’ll be sat with Cubase open and my guitar linked up to all the VST’s, then an idea will just pop into my head. I’ll run with it and record as much as possible and i’ll end up with a finished song. Thats basically how ‘Orchid’ came about.
BT: I notice that a lot of your songs utilize simple yet beautiful melodies. Do you find that as a musician, you intentionally take a “less-is-more” approach?
HOBG: Well as you may have noticed, I love to over layer songs. It’s kind of like painting a picture, but with sounds and effects instead of colours. But the way I compliment that is by having a simple and straight forward melody. I’m a massive fan of soundscapes and drone, but I want to have a straight forward song structure along side that so the songs can be something you can listen to at any time of day. So what i’ll do is picture a rhythm in my head, or play around with different chords on my guitar and when I have something I’m happy with i”ll start adding delays on top and let all the effects do the talking.
Basically, yes I do intentionally take a ‘less-is-more’ approach, because by doing that I can build on the melody with soundscapes and create something even bigger.
There you have it folks! Be sure to keep track of House of Broken Glass’ future work. Expecting big things from this gentleman!